Andrea Allmond is a Sound Designer, Composer, and Sound Engineer.  Current Projects include sound designing Gloria: A Life at the American Repertory Theatre, and monitor engineering for Love Actually Live at the Wallis Annenberg Center.  Along with her design work she is a mentor for the sound design students at UNLV. She is inspired by the way theatre has the ability to make an impact on society and has a passion for developing media that creates social change.  Andrea received her MFA in sound design from The University of California, Irvine. Andrea works on a wide array of genres from large scale musicals to devised intimate pieces. Please feel free to browse this site for paperwork and content examples. For best results, please listen with high quality headphones.

Reviews:

Twelfth Night- Dallas Theatre Center

Clifton Taylor's lights and Andrea Allmond's sound design create exquisite effects for the raging storm that opens the show while also creating a warm and intimate atmosphere for the festivities that take place afterward.  

broadwayworld.com- Zac Thriffiley

Famous- 11:11 Space West Hollywood

With several scenes going on at the same time in each of the rooms, Leoni allows Jason to follow all the action everywhere via hidden closed-circuit cameras from his desk where his drug-fueled anger builds against those being filmed or evidence he hopes to use to end the emotional torment from which he suffers. Blending in perfectly throughout the show thanks to sound designers Andrea Allmond, Scott Casillas and the music of international artist Conner Youngblood.

broadwayworld.com- Shari Barrett

Twelfth Night- Dallas Theatre Center

Storm or no storm (lighting designer Clifton Taylor and sound designer Andrea Allmond terrify!)

dallasweekly.com- Martha Heimberg

Twelfth Night- Dallas Theatre Center

The lighting (Clifton Taylor) and sound (Andrea Almond) added a great deal of immersiveness. As did the costume design by Mari Taylor, which even extended to the ushers, aiding in the audience getting settled into Illyria beach.

theaterjones.com- Brian Wilson

 

Twelfth Night- Dallas Theatre Center

The show begins with an impressive tropical storm, complete with palm trees blowing in the wind, thanks to Scenic Designer Anna Louizos, Lighting Designer Clifton Taylor, and Sound Designer Andrea Allmond. Thunder crashes, lightning flashes, and wind roars in the Illyria created for us on the stage of the Potter Rose Performance Hall at the Dee and Charles Wyly Theatre. As stated earlier, the visual effects of this production are outstanding.  Allmond’s sound design works with the team to create an ambience that enriches the experience.

thecolumnonline.com

Public Works Dallas Winters Tale- Dallas Theatre Center

Sound by Andrea Allmond and the orchestra under Music Director Vonda K. Bowling provided ambient sounds and accompaniment for the singing and dancing. There was also good balance between the performers and the orchestra.

thecolumnonline.com

Gloria: A Life- Daryl Roth Theatre

Oscar, Emmy and Golden Globe winner Christine Lahti as the iconic feminist Gloria Steinem in the must-see new off-Broadway bio-play Gloria A Life. It's a look at the five decades of trailblazing work and advocacy for women around the world done by Steinem and her peers—and it also just happens to have an absolutely killer soundtrack, featured below.

https://open.spotify.com/user/broadwaybox.com/playlist/0a4Savty7R782ENavxv6Et

broadwaybox.com

Gloria: A Life- Daryl Roth Theatre

In a big presentational piece like this, which covers more than a half-century of American life, the designers’ work becomes especially important. Amy Rubin’s scenic design is simple but striking: a crazy quilt of Persian rugs with a number of matching hassocks. The lighting design (Jeanette Oi-Suk Yew), projections (Elaine J. McCarthy) and sound design (Robert Kaplowitz, Andrea Allmond), along with Jahn’s imaginative costuming, work together seamlessly to transport the audience through the changing decades. 

theatrescene.net-Mark Dundas Wood

 

Gloria: A Life- Daryl Roth Theatre

Elaine J. McCarthy’s wonderfully informative projection design (she and sound designers Robert Kaplowitz and Andrea Allmond propel us through time in the show with an abundance of effective visual and aural excerpts from the historical record) 

Vulture.com- Sara Holdren

 

Avenue Q- Claire Trevor Theatre

Musical Director Dennis Castellano conducts Avenue Qs splendid six-piece orchestra with kudos to Andrea Allmond for her expert sound design.

Stage Scene LA- Steven Stanley

 

Clybourne Park -Robert Cohen Theatre

The dilapidated house set in both eras is fantastic and the costumes are also well done.  The ads and music played before and between the acts nicely add to the atmosphere.  The warnings about communism were especially amusing. 

Orange Curtain Review- Daniella Litvak

 

The Tulsa Race Riots of 1921- Project X Theatre

Newton Pittman and Andrea Allmond provide clarion sound design.

D Magazine- M Lance Lusk

 

Corpse!- Theatre Arlington

I delighted in Andrea Allmond's creative use of music throughout Corpse! The pre-show was light, eclectic synthesizer melodies but the intermission was more ominous to emphasize what we had just found out. The real fun came with the suspenseful background music played during long wordy expositions or sudden plot twists to heighten the mystery's revelations. Allmond's design elevated the play to film genre, like a Hitchcock thriller, and added another creative level to an already creative script.

The Column- Mary L. Clark

Noises Off- Theatre Arlington

The sound and lighting flow together flawlessly, or not, with deadly deliberate intention (Michael Winters and Andrea Allmond).

Critical Rant- Alexandra Bonifield

 

CONTACT

(682) 429-5293

 

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